The Brief and Neverending Blur

One entry in my Release Radar this week stopped me in my woozle tracks. The ears pricked up automatically when I heard something very much like the soft call of a Hidden Orchestra. The eyes opened a little wider when I saw the contrary title, The Brief and Neverending Blur. When I saw Richard Reed Parry as the first of the two artists the memory hastened to look him up. While it was busy searching, the wonderbrain asked who the other artist, the Bang On A Can All-Stars, might be. And somewhere deep within the cerebral cortex another inner voice had spotted the album title, More Field Recordings, and was tentatively confirming the Hidden Orchestra connection. The Siren sisters, Pleasure and Curiosity, had seized the synapses again.

Turning the online oracle first to the Bang On A Can All-Stars a little knowledge was quickly absorbed. They are a group of six classically-trained musicians who use amplified traditional instruments to play compositions by some of today’s most respected composers of ‘classical’ music. They are the touring face of the Bang On A Can collective, which commissions, performs and records modern music in classical, jazz, rock, world and experimental genres. Clearly, the Sirens know the way to Crotchety Man’s heart.

Taking a diversion to the album from which The Brief … was taken the reason for two artist’s names on the Radar soon became clear. The tracks on More Field Recordings are pieces by thirteen different composers, all performed by the All-Stars; The Brief … is the one composed by Richard Reed Parry. Somewhat disappointingly, all the other tracks on the album fall into the filing bin that Crotchety Man labels “classical, experimental”. They are unusual and interesting in an intellectual way but liking them is rather a challenge, at least on first spin. Perhaps I will see them in a different light after another circuit of the spinney.

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Returning to find that the doddery old clerk in the memory halls had still not retrieved any information about Richard Reed Parry, Crotchety Man was forced to consult the electronic memory banks again. The silicon chips came back in a flash with this long lost fact: R. R. Parry is a core member of Arcade Fire. That’s where Old Man Crotchety had met him before. Furthermore, reported the semi-conductor lackey, he was a member of Bell Orchestre and has performed with several other artists, including The National and Sufjan Stevens. Parry has also written pieces for the Kronos Quartet and yMusic, ensembles quite similar to the Bang On A Can All-Stars.

So, the signs are auspicious, but what, you may ask, does The Brief … sound like? It’s a slow, quiet, contemplative work for clarinet, guitar, piano, cello, double bass and percussion. Once again, the Sirens have tuned in perfectly to Crotchety Man’s weaknesses. The instruments’ tones blend beautifully, the notes are both evocative and satisfyingly interesting, and the whole invites you into the arms of those lovely maidens.

The Brief and Neverending Blur is on YouTube as part of a 13 video mix but it is blocked here in the UK. Here’s a link for those elsewhere in the world but (disclaimer) it may not work for you, either.

Crotchety Man searched long in the swirling sea fog where the Sirens’ song called out to him but, when the mists cleared and the sun rose high in the sky, there was no island where a band of musicians could have been concealed. Sadly, the promise of nirvana remained unfulfilled and in the end the connection with Hidden Orchestra was, like the woozle, just an illusion.

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