A few days ago the Crotchety ears were tuned to their favourite radio station. The brain between the ears was only half listening when an unfamiliar but rather pleasant song came on. It turned out to be something called Weeping Willow by The Verve. That reminded me that I’d heard a few Verve songs in the past and liked them but I knew nothing about the band and had never explored their work. Vowing to put that right Weeping Willow was entered into the increasingly heavy ledger listing future Track of the Week blog posts.
There were a few surprises for Old Man Crotchety as he delved into The Verve. If you want to follow his journey of discovery he suggests you listen to the track that piqued his interest before reading what he has to say. As there doesn’t seem to be a decent YouTube video of this song as performed by The Verve here’s the Spotify link (again).
Looking up Weeping Willow on Spotify Crotchety Man found himself in an album called Urban Hymns and was startled to find two exceptional songs sitting there cheek by jowl with the target track. Until then if you had asked this old gentleman “who recorded Bitter Sweet Symphony?” he would have been at a loss. It’s such a well-known song that the artist should have been instantaneously brought to mind and yet it’s so unusual that the Crotchety Filing System had classified it as by “some one-hit wonder”. A similar failure of the mental archival process had left The Drugs Don’t Work as “artist unknown”.
“So they were by The Verve“, the Old Man thought, “I’m impressed”. This revelation clearly warranted listening to the whole album. An hour and nine minutes later (can you fit that much on a vinyl record?)¹ Crotchety Man was a little older and marginally wiser. His verdict: Bitter Sweet Symphony and The Drugs Don’t Work are the stand-out tracks; overall rating for the album around 4 out of 5 (good but not that special). Weeping Willow and This Time are certainly worth listening to but that might not be enough to justify a Track of the Week rosette.
Continuing with his research Crotchety Man called up The Verve‘s Wikipedia page. Surprise number two was that the band’s singer and main songwriter was Richard Ashcroft. Richard also features quite often on the radio as a solo artist and scores well on the Crotchety song-o-meter. Like a jigsaw puzzle a picture of The Verve was beginning to fall into place.
The wonderful Wikipedia went on to explain that The Verve‘s music has been described as alternative rock, psychedelic rock and (most appropriately, I think) Britpop. The Old Man can certainly hear Oasis and Coldplay in Weeping Willow. And, like those bands, The Verve achieved stardom status. In 1997, according to critic Mike Gee of iZINE, “The Verve … had become the greatest band in the world.”² Even allowing for a certain amount of exaggeration that threatened to blow the Crotchety mind. Surely they were never that big. Were they? No, Crotchety Man couldn’t have been so out of touch, not even in those days of largely unexciting music.
At this point The Verve had done more than enough to book a place in these pages but should it be Weeping Willow or another of their songs? Bitter Sweet Symphony is too well-known and a little too long. The Drugs Don’t Work is well-known, too, and a headline picture would be a bit grim. This Time doesn’t suggest a picture at all. And there’s no time left to explore their other albums. So, Weeping Willow it had to be.
The best way to understand Weeping Willow is to listen to Richard Ashcroft’s solo performance. Here’s an “audio only” YouTube video:
The solo version is a simple three-chord song with a lilting Coldplay-style melody. It’s a staple of the singer/songwriter genre and, as such, relies heavily on the words to evoke feelings in the listener. Unfortunately, the message in the lyrics isn’t very clear. It could be a love song or a warning about drug addiction. Or a bit of both.
For me the song only really comes to life in the band version with its atmospheric electric guitar, doleful bass, spritely drum beat and multi-tracked vocals. But then it fully deserves its Track of the Week spot.
- I doubt it. The vinyl version was released as a double album and is actually longer than the digital version because the vinyl ends with a ‘hidden track’ separated by several minutes of silence making it almost 1 hour and 16 minutes long in total.
- The Verve won two Brit Awards in 1998. The Drugs Don’t Work reached number one on the UK singles chart in 1997 and the Urban Hymns album was number one on the UK album chart for 12 weeks, knocking Oasis‘ Be Here Now off the top spot.