On Friday Crotchety Man took his camera to the Crich Tramway Village in picturesque Derbyshire. He spent several hours the following day sifting through the photos, cropping them, straightening them and adjusting them for exposure and contrast. A selection was then published as an album on the photo hosting website, flickr. In doing so the photographer noticed a curious little icon next to the flickr logo that hadn’t been there before. It looked like two iced doughnuts, one with blue icing, the other one pink. The Crotchety eyes immediately became quantum entangled with that icon, instantaneously taking on its curious state.
There was no tooltip annotation on the doughnut image to give a clue to its purpose but the mouse pointer’s shape indicated a link to another location somewhere else in cyberspace. Could this be a wormhole to a new and fascinating digital world? Or had the page been hacked and the dual doughnuts were the button that opens a Pandora’s box of viruses and trojans? With fingers crossed Crotchety Man clicked.
With considerable relief the cyberspace adventurer found himself transported to a stunningly attractive page labelled SmugMug + flickr. It seems that flickr is now part of SmugMug, a photo hosting site that also provides a platform for photographers to publicise and sell their photos. The contrast between the two sites is startling. Where flickr looks tired and boring SmugMug sparkles with a freshness and vitality rarely seen on the Web. Where flickr is functional and business-like SmugMug is casual and engaging. But, above all, the promotional images on SmugMug knock the flickr ones into a cocked hat.
Needless to say, SmugMug proper requires a subscription (starting at $3.99 per month) but flickr does not. Even so, that trip into a nearby cyberworld reminded me that there is a whole new generation of websites that are making the most of modern computer technology to create immensely exciting places for casual web browsers to visit. Take musicglue, for example. Like bandcamp it provides a place for musicians to publicise and sell their work, taking a cut of the proceeds. But musicglue makes better use of the latest Web technologies to create a site with exceptional visual appeal.
“What has all this got to do with the Track of the Week?”, I hear you ask. Well, this time I’ve chosen Manic Moonlight by the Norwegian post-rock band, SKAAR, who have a presence on both bandcamp and musicglue.
I heard this track the other day when playing my latest Release Radar. My first thought was that Kate Bush had a new song out. A female voice was wailing and swooping like Catherine pleading at the window to be let in to Wuthering Heights. But this voice was less ghoulish than that first single by Kate Bush and the backing band was more jagged rock than heather-soft pop.
On investigation the Crotchety databanks soon added a few sparse details about the band. They are Karla Lesley Jaeger (vocals), Andreas Melve (guitar), Petter Soltvedt (guitar), Ulf Jonsson Legernes (drums), David Magyel (piano) and Thor Saunes-Skarsgaard (bass and synth). They are based in Bergen, Norway and the band’s Facebook page describes their music as “Progressive Eclectic Rock”. This latest single fits that label rather well and it pleases old Crotchety Man greatly.
Also on the Radar
In fact, my Radar playlist this week contained an embarrassment of riches. I think Spotify has located Crotchety Man’s idiosyncratic sweet spot and locked on with unerring accuracy. So here, once again, is another smorgasbord of tracks that are new and carry the Crotchety stamp of approval. If the Radar continues to be so fecund I may make this a regular feature.